I was surprised at how well-done this book was in a number of ways. I won’t go into it now, but Carie is a born-storyteller and quite good at using words to make new to us feelings that we’ve all had. She also paints an almost fairy tale world – in the right places – without laying it on too thick. I did prefer the first half or so to the end, as I didn’t quite grasp what became a significant moral in the tale.
I really don’t know why everyone is so upset about ‘titillation’ in this Christian fiction novel. I feel people have used by far the wrong term there. This was to sexuality that is born of love; surely that has a place in God’s world and, therefore, in our representation of this world of God’s. It happens; it needs to be acknowledged in the honorable of ways. Something I liked in this book is the suggestion that there is nothing sinful about sensuosity or sexuality, from the joy Serena took in paints and colors to the physical expression between Serena and Drake.
I was really surprised that a novel with such a lovely, perfect fairy-tale-like name could prove itself so well. Kind of like the book that library-haunting readers always expect to find on a shelf but don’t.
Well, looks like I went and got into it, after all.